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a selection from Raymond Federman's The Voice in the Closet.
92nd Street Y, New York City, 27 March 2001. From the release
party for the Starcherone Books edition of Federman's novella.
(Due to difficulties with room acoustics and hand-held camera,
for best results view in larger version, if possible.) Approximately
4 minutes.
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Raymond Federman's "Eating Books." Medaille College, Buffalo,
NY 15 October 2001. Hilarious account of what happened when
Voltaire met Newton on Piccadilly Circus from Federman's
collection, Loose Shoes. Approximately 4 minutes.
The Voice in the Closet is at the very
center of the work of the work of Raymond Federman, a writer whose
worldwide importance is unquestioned. The Voice in the Closet
is a 20-page single-sentence text which simulaneously tells and
refuses to allow a simple telling of the author's most formative
experience: how, as a 14 year-old boy, when the French police
came to his family's parents' apartment to initiate their deportation
to the death camps, Federman's mother pushed him into a closet
where he was able to escape detection and thus lived while his
parents and two sisters were put to death.
"The Voice in the Closet astonishes
. . . nothing in his previous work prepares us for the obsessive
immediacy of this."
- Peter Quartermain.
Reprinted from the long out-of-print Coda Press
edition of 1979, Starcherone Books's edition also includes reproductions
of two collage paintings by artist Terri Katz Kasimov, from her
Federman Series, as well as an introduction by Gerard Bucher and
a note on the text by Starcherone founder and director, Ted Pelton.
Born in France in 1928, Federman emigrated to
the U.S. in 1947. He holds a Ph.D. in French Literature from U.C.L.A.
His many books include Among the Beasts (1967), Double
or Nothing (Swallow Press, 1971, winner of the Frances Steloff
Fiction Prize and The Panache Experimental Fiction Prize), Take
It or Leave It (Fiction Collective, 1976), The Voice in
the Closet (Coda Press, 1979), The Twofold Vibration
(Indiana University Press & Harvester Press Ltd., 1982),
Smiles on Washington Square (Thunder's Mouth Press, 1985,
winner of The American Book Award), To Whom It May Concern
(The Fiction Collective Two, 1990), Aunt Rachel's Fur (FC2, 2001),
and My Body in Nine Parts (Starcherone, 2005). His novels have
been translated into German, Italian, French, Hungarian, Polish,
Serbian, Rumanian, Hebrew, Dutch, Greek, Japanese, and Chinese.
Federman has been the recepient of a Guggenheim Fellowship, a
Fulbright Fellowship, a National Endowment for the Arts Fellowship
in Fiction, and a New York State Foundation for the Arts Fellowship
for Fiction. In France, Germany, Romania, and elsewhere, he is
considered to be among the world's greatest living novelists.